the role of computers in cinema & society

Explain us what you did: how did you manage yourself a way into the Academic Normativity?
OR, you can as well tell us: how did you succeed to transform a content belonging to the realms of Arts, into
the realms of Sciences, and vice-versa? also Conceptual Philosophy transformed into Work of Art, explain how
people can learn in your steps? Are you 'followed' ? Does Philosophy exists at all, in itself ? Or is there only 'non'-philosophy ?
What do you think about that ? If so, do you ever try to help others learn Art, Sciences and Philosophy, outside from academic normative values?
also the space is left for you here, to Create some new Values !
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sylviajenepi
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the role of computers in cinema & society

Post by sylviajenepi » Thu Sep 27, 2018 11:20 pm

la suite de ma réflexion sur les outils 3d et la société moderne icy: (very interesting!!)


quote=rray post_id=60492 time=1537798681 user_id=552
There's no need to have the complete node list memorized but with time you will get a better idea of what ICE nodes/Houdini ops are or are not designed for. With that knowledge it will be easier to memorize nodes or I would say easier than learning vocabulary. But it's still unlike ready made plugins like the geo elev mixer which were designed to be easy to use. It's more like using a radio thing vs. building a radio.

/quote

i have to thank you for your explanation of course.

as for the philosophy of artistic designing,
i am wondering about the societal structural function of switching from visual "analog radio thing", to ICE and Houdini "nodes" as non-visual radio building.

don't you think that the point in developing one kind of tool instead of the other,
besides increasing the possibilities of "resolving power" of the computers,

could as well narrow the field of the cinema industry?

you sort of increase the range of variability of possible radio stations so much, like "struck by fear of loss", "panic" ,
that everybody "uses the same (difficult) learning curve" so much that the cinema industry gets more "rational", "organized", but less visually intelligent (even if more spectacular in one same polarized vector?)

the question which comes to mind is: with ICE, for example, how to be able to build a fractal nicer "analog" little tools tool such as the "geographical elevation mixer",
which reintroduces an ability to escape the learning curve, which gives you all the spectrum of tools to be creative, and to discover (slowly at one's own rhythm) a personal learning curve, a more interesting one,
and be cause to enabling one to rapidly scope across a variability of radio stations, or pick up and invent new fractal and visual radio stations?

so my new question is: do you think it would be possible with ICE or Nodes: how to create with Nodes a tool for re-creating for Artists, such tools as the "geographical elevation mixer"??

thanks again!
sylvia jenepi

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